Russian Comic Novels from the Early Soviet Period with Dr. Jeffrey Brooks, PhD

JeffreyBrooks

Lifelong Learning LogoCourse Title: Russian Comic Novels from the Early Soviet Period

Instructor:  Dr. Jeffrey Brooks, PhD

Brought to you by Odyssey   

January 29, 2025 - March 5, 2025 (6 Sessions)  

Wednesday,  06:00PM ET -07:30PM ET  

Virtual via Zoom 

 

 

Course Description: Artists reacted to the increasingly grim political landscape of the 1920s and 1930s by producing some wonderful comic novels. Students will read Ilya Ilf’s and Evgeny Petrov’s laugh-out-loud masterpiece¬, The Twelve Chairs; Mikhail Bulgakov’s inspired fantasy, The Master and Margarita; and either Bulgakov’s satiric Heart of a Dog, or Evgeny Zamyatin’s dystopian We, which inspired George Orwell’s 1984. Russian Comic Novels from the Early Soviet Period. Artists reacted to the increasingly grim political landscape of the 1920s and 1930s by producing some wonderful comic novels. Students will read Ilya Ilf’s and Evgeny Petrov’s laugh-out-loud masterpiece¬, The Twelve Chairs; Mikhail Bulgakov’s inspired fantasy, The Master and Margarita; and either Bulgakov’s satiric Heart of a Dog, or Evgeny Zamyatin’s dystopian We, which inspired George Orwell’s 1984.

ASSIGNED MATERIALS: 

Ilf and Petrov, The Twelve Chairs (Northwestern University Press World Classics), translated by
Anne O. Fisher (2011).
Mikhail Bulgakov The Master and Margarita, (Abrams, 2021) translated by  Diana Burgin and
Katherine Tiernan O'Connor.
Bulgakov, Heart of a Dog, (translated by Mirra Ginsburg, Grove Press, reprint 1994).
Evgeny Zamyatin We, (Penguin Classic Edition, translated by Clarence Brown, 1993; also
available in kindle)).

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ABOUT Jeffrey Brooks (Ph.D)
Professor, History

I study and teach the political and cultural history of modern Russia, the history of the Soviet-American Cold War, and the great works of Russian and Soviet culture in their contemporary context. My The Firebird and the Fox: Russian Culture under Tsars and Bolsheviks (Cambridge University Press, 2019) showcases the genius of Russian literature, art, music, and dance over a century of turmoil within the dynamic cultural ecosystem that shaped it. The Firebird and the Fox explores the shared traditions, mutual influences, and enduring themes that recur in these art forms from 1850-1950. The book uses two emblematic characters from Russian culture—the firebird, symbol of the transcendent power of art in defiance of circumstance and the efforts of censors to contain creativity; and the fox, usually female and representing wit, cleverness and the agency of artists and everyone who triumphs over adversity—to explore how Russian cultural life changed over the period. High culture drew on folk and popular genres, then in turn influences an expanding commercial culture.

My research has been supported by The Guggenheim Foundation, the Fulbright-Hays Program, The National Endowment for the Humanities, the Woodrow Wilson Center, the National Council for Soviet and East European Research, and the IREX Academy Exchange, among others.

I received the Johns Hopkins Alumni Association Excellence in Teaching Award in Arts and Sciences in 2004.

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 Event Date
Starts:
Wednesday, January 29, 2025
6:00pm EST

Ends:
Wednesday, March 5, 2025
7:30pm EST

 Contact
Odyssey
-800-JHU-JHU1 (548-5481)
odyssey@jhu.edu

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