By Freedom or Willpower: Artists in Early Maryland

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For too long the thriving history of silver, ceramics, metalwork, and furniture in Maryland has been credited to a workshop's owner—often a white man. This inaccuracy has obscured centuries of artistic diversity, particularly during the period of slavery and indentured servitude in the United States. Maryland women labored in artistic workshops, established studios, and became nationally recognized in their fields. Enslaved and indentured people brought their artistic talents and material knowledge across oceans. They were compelled to create, in the case of enslaved artists, by force and by a willpower to live. 

In spring 2024, the Baltimore Museum of Art reopened the c. 1773 parlor room from Haberdeventure, the plantation of Declaration signer Thomas Stone, with a display of artworks by free, enslaved, and indentured artists from Colonial and Federal Maryland. The exhibit takes the parlor’s builders and painters, likely enslaved, as its inspiration. Disrupting histories that privilege businessmen and formally educated painters, the display conveys how artists in early Maryland came from varied economic, gender, racial, and national backgrounds through biographies of hitherto underacknowledged artists. From this, a new body of Maryland makers, shared in this presentation, are restored to the forefront of Chesapeake object, furniture, and painting histories.

ABOUT Brittany Luberda

Brittany Luberda (she/her) is the Anne Stone Associate Curator of Decorative Arts. She is a scholar of 18th-century ceramics and silver. From 2016 until her arrival in August 2019, Brittany was the Research Assistant in Decorative Arts and Design at the Saint Louis Art Museum, where she studied European and American decorative arts from the 15th through 19th centuries. From 2013 to 2016, Brittany was a department assistant in both Conservation and Decorative Arts at The Frick Collection in New York. Brittany has additional curatorial experience at the Dallas Museum of Art, the Art Institute of Chicago, and the Smart Museum of Art in Chicago. She holds an MA in art history from Southern Methodist University and a BA in art history from the University of Chicago and has completed the Attingham Summer School and Program in New England Studies (PINES) through Historic New England.

In addition to her curatorial work, Brittany serves on the board of the American Ceramic Circle. She has also taught as an Adjunct Faculty Member at Maryville University and Lindenwood University, among others. Her publications on decorative arts, curation, global trade, and colonialism can be found in Making Her Mark: A History of Women Artists in Europe 1400-1800 (2023), Studies in Eighteenth-Century Culture (2023), Faenza (2022), Journal18: A Journal of Eighteenth-Century Art and Culture (2017), and the Furniture History Society Newsletter (2017). Brittany has also received fellowships from the Decorative Arts Trust, the Kress Foundation, American Ceramic Circle, French Porcelain Society, and Paul Mellon Centre.

Photo credit: Christopher Myers

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 Event Date
Thursday, February 27, 2025
Start Time: 5:30pm EST
End Time: 6:30pm EST

 Location
Homewood Museum

3400 N Charles St
Baltimore, MD 21218

 Map

 Contact
Sheridan Libraries and Museums
Jeannette Marxen
Programs Manager
4105160341
museums@jhu.edu

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